The Fly |
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"I felt really good about it. I thought my best work was all the times I was under that cloth. In those scenes, I was really feeling something. I felt the pain of the man, what he was going through. I went through all kinds of hysteria in my body. Somehow the body language came out." - David Hedison |
Snow: The Double Life of a World War II Spy: Patricia Owen's father was a British secret agent
"That whole business of scribbling on the blackboard
to tell my wife that I love her - that wasn't a direction, but
I figured that was the way he would have done it. I think the
director wanted me to write "Help me" or "Kill the Fly." But this guy is
going through a struggle, the fly is taking over his brain. He wants to
be killed."
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"In one scene toward the end, I had to tear the lab apart with an axe -- I swung it all over the place. And afterwards, one of the [crew] said "Oh, [Al!] You swung once, and I thought you were going to go right into your leg!" I had just missed because I really couldn't see anything." | |
People ask if I did all that stuff in the mask. Of course I did. Do you think a stunt man could move like that and do things that I did? [The mask] took maybe an hour and a half to apply [made from a plaster cast of David's face] and then between takes I would just sit and wait. I was very patient that way. It gave me a chance to prepare and get ready for the next scene. Patricia -- a very sweet girl, I loved her -- She'd come up to me and say, "Can I get you anything? Is there anything you want?"